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‘Like winning the lottery’ by Stephen Dodd

I won the Teacher Development Scholarship Award which was a great surprise! I decided to apply for it as I had never been able to attend the main IATEFL conference but had had a taste of previous smaller conferences and really like the vibe around them. To win the scholarship for the whole week felt like I had won the lottery!

I was invited to the Pre-Conference Event on the Monday before the start of the main conference. I went to the Teacher Development (TDSIG) and Leadership and Management (LAMSIG) one and I really enjoyed how that was organised and run. What I really got out of the day was how teachers don’t necessarily realise how supported they are or can be. Being able to be a member of this group really motivated me to get more interested in how teachers can keep on improving throughout their careers, for example by joining one of the many SIG groups or by forming groups in the workplace to bring about change from within. Throughout the day we spoke about how managers need to give teachers both time and also the money to develop in their workplaces. It was great to delve into the details of how teachers can continue developing throughout their careers. Watch this space!

I think the conference helped me understand better what type of teacher I am and what I stand for. Specifically, it highlighted the ongoing debate about course book use and how we should re-address the use of them in class how we should readdress the use of them in class. This was the subject of a fantastic plenary by Dorothy Zemach. My own perspective is that we should not be using course books to the extent that we do as it stifles teacher development and hinders student progress. Ironic to think that something many people see as a good thing (the course book) could be something so detrimental to a student’s progress. No SLA [Second Language Acquisition] studies support the grammar syllabus that course books offer so why are we using them on such a wide scale?

The most moving part was meeting all the other scholarship winners as we were such a diverse group of people. The presentations were excellent but by far the best part of the entire week was the spontaneous meetings with other teachers and getting to chat to them and see what they do. I even met a lovely group of Welsh teachers who were at the conference to gain insights into how they can improve their teaching of Welsh to English speakers! Who’d have thought it?

I left the conference reenergised and with many thoughtful insights into the possibilities of PBL (Project-Based Learning). I saw Vicky Saumell’s excellent presentation on her step-by-step guide to introducing PBL and how it was met with approval from the students and their parents and teachers. My own experience of PBL has been a revelation. In PBL, students have to pose a question, then discuss how they are going to find the/an answer to it. One such PBL project was carried out recently in my school where the students asked ‘Why are there so many homeless people in Liverpool?’ The next step is to test and/or revise their own investigations, before applying the new information to solve a real-world problem. So in this case, it involved creating questions to ask the general public’s opinion on the homeless, as well as that of the city council and of the people who are homeless themselves. This generated a lot of language from the students and many possibilities to give language input as and when required. Once they had the answers to their questions, students had to think about how to present the information clearly and concisely as well as trying to come up with some real ways to tackle homelessness. Given such freedom the students learnt a lot more than just language. Sessions on PBL at the conference and the disapproval of course books in general which I noticed highlights how we can initiate change for the better, but we need to start somewhere.

Overall, I feel that bubbling away under the surface teachers are starting to question some of the ways they teach. The conference also helped me see that we are really part of a family of teachers with a common aim and despite our different contexts we are all passionate about our jobs. Do apply for a scholarship as you will have an unforgettable experience!


Stephen Dodd is a teacher of some twenty-five years’ experience. He is currently director of English in Liverpool, a private school specialising in Project Based Learning (PBL).

He completed his Trinity Cert TESOL and went on to gain a distinction in The Licentiate Diploma in TESOL. Stephen has a keen passion for educational technology and so studied for the online ICT Cert in Teaching English with Technology (The Consultants-E) in 2011 and has started an MA in Education Technology at Manchester University.

He is also a teacher trainer and has considerable experience in designing bespoke teacher training courses for more experienced teachers. He has presented at various conferences and has a special interest in language learning and technology and Task-Based Learning.

Currently, he is working on an idea for an online platform for newly-qualified teachers who need support and guidance related to correct classroom practices.

IATEFL 2019 Scholarships

If you’re inspired by Stephen’s story, why not apply for a scholarship for IATEFL Liverpool 2019 yourself? Applications for our 2019 scholarships will open on Friday 1st June 2018. The closing date for applications is 16.00 (UK Time) Thursday 12th July 2018. Any applications received after this time will not be accepted.

‘Teaching listening at IATEFL 2018’ by Svetlana Bogolepova

A multitude of topics were discussed at the IATEFL 2018 conference. Teaching listening was one of them, the talks on which are going to be summarised in this post. I am extremely grateful to Cambridge Assessment English for giving me an opportunity to develop professionally and enrich both my classroom practice and research background through the scholarship I won from them.

Interestingly enough, there doesn’t seem to be a uniform understanding of how students master this skill. Christine Goh mentions the widespread language classroom practice of teaching listening in the way it is tested. She emphasis that bottom-up (based on sound / word / intonation recognition) and top-down (based on background knowledge) activities should be supplemented by metacognition tasks. It is metacognition, or reflection on your own thinking processes, which make the teaching of listening different from its assessment. Christine suggests a framework for listening comprehension development, the first step of which is schemata (background knowledge) activation, then comes actual listening, then the after-listening stage including monitoring and evaluating your own performance. Extensive listening supplements these out of the classroom.

John Field, however, says that in real-life situations we do not regularly activate schemata before listening (imagine doing research on a topic before listening to a radio programme). His research showed that even at B1 level students do not understand everything they hear. Thus, they have to be taught strategies to compensate for these gaps (along with listening sub-skills and practice for tests). These strategies include, for example, anchoring on key words and making guesses, working out meaning from context and anticipating what’s going to be said. He highlights that students’ problems will be context-specific, therefore, strategies we teach them will differ in each case. Though John Field states his approach is different from what Christine Goh suggests, I find common features in how they understand strategies: students need to reflect on their performance guided by the teacher to identify the obstacles to comprehension and find ways for repair.

What is particularly interesting for me is that John Field finds exam practice completely inauthentic, as in real life we seldom (if ever) have prompts or have to choose the appropriate answer when we listen. Authentic listening was also the focus of a talk given by Sheila Thorn. Sheila creates materials for different levels based exclusively on authentic audio extracts. Traditionally textbooks have graded texts based on certain text models which are miles away from real situations. She introduces the idea of grading tasks, not tests. In addition, she suggests we should do decoding in the classroom, e.g. through streamlining activities, in which students need to transcribe the most challenging extracts containing elision or assimilation. Further exploration may touch upon collocations, colloquialisms or accents. Sheila Thorn applies a similar approach when she designs listening assessment materials.

Robin Walker focussed his talk on independent listening, which is the opposite of interactive listening. An example of independent listening may be listening to a lecture or a presentation. Such features as limited prior knowledge or lack of clarification make it more challenging for learners. He singled out the skills and strategies students need to listen independently, for example, recognition of text structure or note-taking. The most interesting activities for me include “paused” note-taking (when students have a pause to take notes after listening to a short extract, but the length of this pause is gradually reduced) and listening with books closed (read the task → listen with your book closed → open your book and do the task).

All the talks described above gave the listeners both food for thought and practical instruments to use in the classroom. These tools help us actually teach listening differently from assessing it, gradually developing this skill and making it true-to-life.


Svetlana Bogolepova is Associate Professor at the School of Foreign Languages at National Research University Higher School of Economics, Moscow. She holds a Ph.D. in Philology and teaches Speech Practice, EAP and exam classes. EAP, assessment, and materials development lie within her interests. She was the winner of a Cambridge Assessment English scholarship for IATEFL Brighton 2018.

Q&A from webinar on ‘Tapping into the creative potential of groups’ by Margit Szesztay

On 2nd June 2018, Margit Szesztay presented the following IATEFL webinar: ‘Tapping into the creative potential of groups’

In this webinar, Margit Szesztay will explain her fascination with the potential of groups, large and small, and her exploration into how to activate and draw on group creativity. This webinar will focus on a number of activities which build on curiosity and imagination and can encourage learners of English to engage in free-flowing, spontaneous interaction. It will also focus on the role of the teacher to help create the kind of classroom culture that can nurture such creative interaction among group members. Most of the activities are suitable for large classes in state education, as well as smaller groups in language schools.

If you would like to watch the recording and find out what the activities mentioned in bold are, you need to be a member of IATEFL. If you’re not a member, Margit has shared her responses to some of the questions asked during the webinar with us on the blog. Over to Margit…

Thanks to everyone who participated in the webinar. Here are my responses to the questions I didn’t have time to answer.

For which level are these activities suitable?

Some creative, open-ended activities require only a low level of English. Out of the ones I shared with you, there were several creative brainstorming tasks. For example, in the Picture Cover-Up activity, students guess what might be missing from the visual. They can also guess in their mother tongue – this is a good opportunity for the teacher to feed in some new language. Contributing to the Group Picnic doesn’t need a high level of language either – it’s a kind of creative pattern drill.

If groups compete, do you assess them in any way? 

In these group creativity activities students only compete against time. The whole group or the whole class is challenged to think, imagine, brainstorm, play together for a common goal. There are no winners or losers. What we do is to appreciate the richness of ideas, creative solutions that different groups come up with. For example, in the case of the Scene from a Film activity during the webinar you came up with very different film titles, and in a classroom students also come up with different titles – some funny, some evocative, some surprising.

Is it OK if a teacher asks some informal and personal questions before giving a task?  

There are no universal recipes or rules about what a teacher can or cannot do. I think the personal dimension is very important and asking some questions which show the students that you relate to them as individuals and care about their well-being, not just about their level of English, is a good way of building trust, interest and motivation.

Are there any specific strategies to make role play effective in a large classroom? 

Create a relaxed, playful learning environment. It can be helpful if you as a teacher move in and out of various roles, for example, by telling stories, jokes, acting out short situations with some of the students. Demonstrating the specific type of role play can be useful. For example, do a few rounds of Instant Role Play with some of the students, asking for volunteers. This shows them how the activity goes, and it also moves them into creativity mode. Then you can ask them to follow this up by playing the game in groups of 4-5. If you have large classes, it can save time to set up home groups that are fixed for a few weeks. Then you can just say: ‘Sit with your home group friends’, instead of having to set up groups. If some students are absent, you can just readjust the groups to make sure you have roughly equal numbers.

There may be many reasons for a student not wanting to join in. Of course it depends on the situation, but would you encourage them or let them be? 

As you say, it depends on the situation. Some shy students just need a gentle nudge. Others might find even a simple role play high risk, especially with the whole class watching. I usually don’t force anyone to perform in front of the whole class, but everyone needs to participate and contribute during pair work and group work. I find that the atmosphere makes a huge difference. If there is a fun, relaxed, non-judgemental atmosphere, ideas flow more easily and there is less performance anxiety.

In doing “Instant Role Play”, is there any criterion to choose the one who would respond to the triggers? Because some students would feel more stressed in that situation. Do we need to change role? 

Start by calling on students who like to be in the limelight. Once they get the idea, they can also do it with you being ‘in the hot seat’. You can give them some possible triggers e.g. ‘We hear you would like to be the school principal’. Or they can just improvise without triggers. In any case, you will know which students really don’t want to be called on as they will avoid eye-contact with you. Wait till they are ready.

Do these activities work better with a specific level or age of students? 

Well, I work in higher education and my students have a pretty high level of English. But I have now seen generations of teachers work successfully with these and similar activities in state schools in Hungary ranging from false beginners to advanced learners. I’ve also had positive feedback from teachers I’ve worked with in China, Turkey, Tunisia and a few other countries, so I don’t think they are culture-specific.

How do you ensure students do not start speaking in their own language? 

By building a positive, inclusive learning environment where every effort is appreciated, everyone is pushed to their limits (and beyond … because there are no limits really), and at the same time where it’s OK to make mistakes. Making English feel natural, making it the language of communication for the classroom community. Even if I succeed in all this, students will occasionally slip into their mother tongue and I think that’s OK.

Margit, where can we get an energy meter? 

The way a thermometer can measure body temperature, a G-energy meter can measure the amount of energy in the group at any given moment. … Well, such a gadget hasn’t been invented yet, but in actual fact  we have no need for it, either. If we give it attention, we can pick up on the constantly changing energy levels in the classroom.  In other words, as teachers we have an in-built energy meter.

In Freinet pedagogy, students create newspapers which they then also exchange with with students in other cities, countries. That is an interesting angle, isn’t it? 

Putting together a newspaper is an excellent example of a project that encourages groups to tap into their creative potentials and create a joint product. And then sharing this with students in a different part of the world makes it all the more meaningful – there is an audience for the joint product.

Do you have any link where we can find the collection of activities for developing creativity, Margit? 

Have a look at the last slide of the webinar. There are several publications and resources listed there.


Margit Szesztay has been involved in teacher education for many years. Her special areas of interest include group facilitation, group creativity, global issues, social intelligence for teachers, and community building. She works at the Department of English Language Pedagogy at ELTE University in Budapest, Hungary. She is currently the President of IATEFL.

Thank you to Margit for agreeing to write for the IATEFL blog. 

If you’d like to write a blog post or present a webinar for us, please contact blog (at) iatefl (dot) org.

You can find out more about upcoming webinars on the IATEFL website. If you are an IATEFL member, you can access the recordings and slides from all of our webinars in the members’ area.

‘e-Valuating your own development’ by Oksana Hera and Rob Howard

Being a newly-qualified holder of an internationally recognized teaching qualification and an MA in Linguistics, during my first job interview with a school owner, I aspired to share my vision of teaching and have a profound professional discussion on the subject matter of teaching. However, they just put my CV aside and started dwelling on a plan of how teachers bring profit to the school. What I heard was that there was no point in making any investment in teacher training by that school because teachers could, and would, leave them. The idea that reverberated in my mind was that they should have been thinking: ‘What if teachers actually stay? It is our reputation at stake, isn’t it?’

They say you cannot step into the same river twice but what if you actually find yourself in an in-company or tertiary level context where, on the one hand, your professional development is solely your responsibility and, on the other hand, when you find a continuous professional development (CPD) event to attend, it turns out they will not let you go because there is nobody to substitute for you.

Therefore, if your direct manager or employer does not encourage you to grow and does not appreciate your wish to do so, for whatever reason, there is another powerful force that does – your learners.

It’s crucial to realise that in any given educational encounter, first and foremost, you are representing yourself as a professional.

Wherever you are in your teaching career and whatever your context is, consider following these suggestions.

  1. Clarify and set your own career and development goals and milestones. Claim responsibility for your own growth: it may feel scary and you may even feel disoriented at times, but it’s worth it.
  2. Communicate goals and aspirations clearly to your employer or the end user of your services. Without you telling them, you cannot expect anyone to imagine how that conference you attended in April will benefit them and their learning.
  3. Be proactive about finding CPD events that you want to be a part of, be they online or face-to-face.
  4. Learn from other spheres and adjacent fields to get a new perspective. For instance, getting to know how real estate agents or lawyers treat their clients might be helpful to accommodate your business learners’ needs.
  5. Share your experience of attending professional events with your learners: not only does it spread positive vibes and build rapport but this also motivates them to grow in their respective industry                                                                                                                                                                                                                 

And most of all, talk to your colleagues about your ideas. When I shared my story with my colleague, Rob Howard, founder of EFLtalks – teachers teaching teachers, he came up with some brilliant tips of his own.

It seems everyone is talking about CPD and teacher development but the number of teachers actually doing it these days has sharply declined. This is a very unfortunate state as a teacher who stops learning not only becomes stagnant, but over time forgets some of the best practices that they have acquired over the years. I started taking advantage of every learning opportunity early in my career and I haven’t slowed down since. Just the other day I was reminded of a technique that I used years ago but, out of habit, let slip from my repertoire. As Oksana mentioned, sharing the fact that you are continually attending conferences, webinars and reading, sets a great example that learning should never stop and also demonstrates your commitment to their learning. Personally, I wouldn’t go to a doctor that isn’t keeping up-to-date with their own continuing education and seeing what is new in medicine. Why would we expect the same from our students?

Years ago, while working for a US Binational Language Center, I was known for going to every publisher event, conference, association meeting and training that was available in my city. Other teachers would often criticize my quest for further development. They thought it to be a waste of time, money and energy. They were all surprised when I received one of five financial promotions out of 200 plus teachers based solely on my commitment towards self-improvement and sharing with other colleagues. The company took notice. My students took notice. I didn’t do it for the money, but it was sure nice to be recognized and complimented for my commitment.

Of course, I realize that CPD is time-consuming. This is the reason I started EFLtalks, where a collection of almost 200 education professionals offer up their ideas and techniques in just 10 minutes and share them for free with teachers all over the world. Seeing that we have reached over 500,000 teachers, those without the opportunity to attend training courses and even those who can, and knowing that many are still eager to learn more and dedicate time to their development, gives us new hope that there are still many who take their craft seriously.

Just today my student in Belarus, when I asked about his hobbies, responded “learning.” He said that after he had finished his PhD, he felt a hole in his life by not continuing to study like he did for school. I told him that he is inspiring. The student, whom I have needed to reschedule often due to my travel for conferences, answered quite simply, “I get inspiration from my teacher.”

 

 

 


Oksana Hera is a freelance Business English Trainer in Lviv, Ukraine, and a Joint Coordinator of the IATEFL BESIG Online Team. Her interests include learners’ motivation and the effective use of technology in teaching English. She also blogs about films for English learners at Movies by Levels.

Rob Howard is an EFL Teacher, Neurolanguage Coach and teacher trainer as well as teaching Business English. He is Joint Coordinator for the IATEFL BESIG Online Team and Online and Video Coordinator for the Visual Arts Circle. He has authored and co-authored several books and is co-founder of the Independent Authors & Publishers Group. He is a speaker worldwide on Continuing Professional Development, Business Development and Image Presentation and the founder of EFLtalks, a finalist for the 2016 British Council ELTons Award for Innovation in Teacher Resources. His website is www.RobHoward.me. He lives in Poland.

‘Artist in residence’ by Emma-Louise Pratt

When I was invited to be the artist in residence at IATEFL in Brighton this year, I jumped at the chance. I had already been talking about artists’ residencies in learning and especially language learning contexts, and I was keen to develop my own practice and build on my knowledge from having coordinated artists in schools in New Zealand.

I had also been invited to participate in the Visual Arts Circle’s facilitation of the Global Issues SIG Pre-Conference Event. This was an opportunity to explore workshop as performance; an artwork in itself.

At the PCE, I used video and storytelling to lead delegates into a space where they were invited to express their own personal thoughts and stories visually on the theme of social justice. Over the four days of the main conference I made work that responded to the plenary speakers.   

IATEFL Conference Day One

Lourdes Ortega, a Professor in the Department of Linguistics at Georgetown University, presented her ideas about the relationships of research and the classroom. How does a southern Spanish wetland ecosystem in spring relate to a presentation on research and the classroom? Listening to Lourdes, who originates from Spain, got me thinking about how the relationship between the classroom and research is like ecosystems within ecosystems. The classroom is one, education systems another, academic research another. Perhaps we could see it metaphorically as the wetland. The pond is teaming with life. There is the perspectives one gets from under the water, or if one is on the surface of the water looking in, or up, or from flying above it. Wetland dwellers never see all perspectives, just as teachers don’t always see their classroom within a wider context or how research might interact with their teaching and with learning. Suspended between the water and air worlds on their lily pads, researchers aren’t participators in the everyday of the classroom ecosystem, or the education system it is part of. They are outside of it, which is a disadvantage. However research can present different perspectives otherwise unseen.   


Day Two


ELT writer Dorothy Zemach gave us an entertaining break down of the publishing world of ELT and what it’s like to currently work in it. I had already decided the setting for the content of this presentation, having finally made it outside at about 7pm the evening before to get some fresh air and sit on the beach in the dying light of the day.

Brighton beach was going to have to make an appearance. But as I listened and made notes, I was overwhelmed by the grey grubbiness of it all. The numbers game, the bottom lines and the need for everyone involved to have their financial needs met. As an educator and an artist, I felt very deeply for her plea to everyone to pay for the work of writers in our field. Paying well for good work ensures that the work continues to be good. However, that means someone down the line has to pay for it, and not everyone can. 



Day Three

Brita Fernandez Schmidt is an advocate and promoter of women’s empowerment, women’s rights and equality. At the end of her presentation, I made my way out to the foyer of the Brighton Centre to catch delegates as they made their way in. I recorded short audios of their reactions to the speaker. Many were overwhelmed, motivated and inspired.

Later while making the work, I began talking to delegates who felt very differently about the presentation. They felt that it was emotionally manipulative and a call to action from a charity, and that the IATEFL conference wasn’t the place for that.  This image is a made-up woman. Pieced together, or slightly reconstructed. If you were at the plenary, you would have noticed a gesture the speaker used a lot – that of her hand to her chest. So, I put her hand there and the name of the girl who moved her to action.

Slow Digestion

My temporary art studio, with its work in progress provided chance for reflection. I only had one plenary to digest slowly for the day. Meanwhile, others dashed about in front of me, often asking me hurriedly if room 11 was anywhere near.  Conferences cause a sense of rush. We often need to “doggy bag” our thoughts and reactions, in order to sit down at the next meal. One workshop or presentation after another blurs into a degustation menu that is presented too fast, the plates taken away to suddenly.

I, on the other hand, had the space to slow it all down. People could, and did, come and pull up a chair and chat with me as I worked or wandered about the visual work I was creating and peer over my shoulder. I noticed during the GISIG pre-conference day that the room had fallen silent while people played with the dark ink and water on watercolour paper in the first playful stage of our workshop. I had expected chatter, but what I found was silence. A silent room. One delegate described it as if the act of watching the ink absorb in the paper made our bodies and minds slow down too. Perhaps we could consider more space for that in future conferences.

 

 

 

 

 

 


Emma L Pratt is a practising artist (www.emmapratt.com) with a degree in Fine Arts, a post-graduate in Museology. Her research interest is in the area of teaching artists and citizen artists, as well as the visual arts in learning. She is currently working on an Artists in Schools action research project developing visual work in a primary school and working on parallel workshops for learning and the visual arts.   She is the Co-Founder and Co-Director of Frameworks Education Group that specialises in teacher development. She also is the developer of the 2016 ELTons nominated TEFL Preparation Course and Teaching English to Young Learners on ELTCampus, an online platform she also founded and developed.

 

‘Q&As on David Heathfield’s Webinar on Storytelling’

On 1 December 2018 David Heathfield presented a webinar on storytelling entitled “Bringing the world’s winter folk tales alive in your students’ imagination.”

In it David demonstrated how oral storytelling can bring students’ imaginations alive and get them deeply engaged in language learning. The session provided classroom content suggestions in active prediction, extensive person to person listening, physical and spoken drama activities, creative response and student retelling.

The recording is available to IATEFL members in the webinar section of the site. If you would like to watch the recording, you need to be a member of IATEFL (find out how to join).

Here are David’s answers to those questions that he didn’t manage to address during his webinar.

Q1.How can we involve large numbers of students in stories?

A1. The activities I demonstrated here work well in classes of all sizes. As long as students are physically close enough to the storytelling teacher to see her eyes and hear her voice, storytelling activities work well in large classes. I often do storytelling with 200 learners. If you are doing physical drama activities like the ones I demonstrated, it is important to be able to manage them all doing the activities at the same time. 35 students may be the maximum ideal number. You need to make enough space for students to perform in pairs.

Q2. Can you write the titles of the stories, please?

A2. The Winter Tales I told are:

The Snow Girl (Russia)

Aldar Kose tricks the Bai (Kazakhstan)

The Christmas Cherries (Britain)

I also mentioned:

The Fox and the Bear (Norway)

How the Bear lost its Tail (Japan)

The Three Golden Hairs (Romania)

The Winter Spirit and his Visitor (Native American)

The Mitten (Ukraine)

The Twelve Snow and Frost Children (Maori New Zealand)

Other Winter Tales I enjoy telling are:
The Twelve Months (Slovakia and more countries)

Mother Holle (Germany)

Zlateh the Goat (Yiddish/Poland)

Q3. How can I get the opportunity to share stories from Ghana?

A3. I love tales from Ghana. So many wonderful stories about Anansi come from Ashanti tradition and Anansi stories are now popular in the UK and more countries around the world. It’s so important to keep these oral stories alive by sharing them. Please do send me a recording of you or your students or someone you know telling me a favourite Ghanaian folk tale. You can also send a story to IATEFL Voices magazine and explain how you share the story in your teaching.

Q4. Folkstories always have a plot development. Do you do analysis of the plot development in class (setting, characters, climax, denouement, etc.) or do you simply invite students to appreciate the story (listening mode)? How can we teach storytelling within critical pedagogy approaches (multiliteracies, etc.)?

A4. Thank you for your questions. I tend to focus on storytelling skills, drama, creative response and exploring personal meanings in my General English and Academic English classes. Plot analysis is a fascinating area of study and I would certainly love to do this with students if I was teaching a literature module. The same goes for critical pedagogies. I think you begin to answer your own question in your useful comment from the General Chat.

Q5.Are your students second language learners, or are they enjoying your teaching in their L1?

A5. My students are learning English as a foreign language. The young woman you saw responding to The Snow Girl is doing an elementary course. Storytelling is effective across all levels. With Beginner students you can tell a simple story in their mother tongue using plenty of physical mime and gestures first and then tell it a second time in the target language using the same mime and gestures. It’s a wonderful way for them to be exposed to the target language and get a feel for the rhythms and cadences right from the start. Also I recommend mixed language storytelling with Beginners –see https://www.teachingenglish.org.uk/article/story-telling-language-teachers-oldest-technique#mixed

Q6.How does a teacher develop her story telling skills?

A6. By doing storytelling regularly and noticing what works for you and for your students. My teacher resource book Storytelling With Our Students is designed precisely for this purpose. You can find out about the book and see the page featuring Aldar Kose tricks the Bai here  https://www.deltapublishing.co.uk/titles/methodology/storytelling-with-our-students

There are links to pieces I have written on the Publication page of my website https://davidheathfieldblog.wordpress.com/publications/
 

I also recommend books and articles written by Andrew Wright and Mario Rinvolucri. You can probably find other storytellers near where you live, get together and share your skills and experiences.

‘Creating an effective worksheet: the two golden rules of reflection’ by Adam John Simpson

There are so many things to consider when making our own materials for our classes. The physical appearance of our material is important, as are our instructions. What’s more, we should also think about the importance of context, as well as incorporating learner training into our worksheets. Nevertheless, when I reflect on the success of any materials I make, I can often boil down the process of making a great worksheet to the following two-stage reflection process. Using these guiding questions, I believe you will be able to create a worksheet that does more than simply fill time in class or merely consolidate whatever language point you’ve covered.

1. Start with a clearly stated objective and sticking to it

Ask yourself the question; ‘Do you know what the purpose of your material is?’ If you can accurately and concisely describe the objective that you would like your worksheet to help learners accomplish, you’ve already won half of the battle. This is your logical end point, so knowing this will help your material reach that goal.

For instance, you may want to create a reading worksheet that will help your learners to do one or more of the following:

  • Employ various strategies to establish background knowledge
  • Distinguish between fact and opinion
  • Employ strategies to deal with unfamiliar key vocabulary
  • Voice an opinion orally or in written form about a text

Having one or more valid objectives in mind will immediately enable you to focus on how each task on your worksheet is helping to achieve this end goal.

When you’ve made your material, reflect on the finished product by asking this question: ‘does this help learners meet the objective?’ If any task isn’t doing this, consider replacing it or removing it altogether. Remember: reflection is key! A good final step is to physically include the objective on your worksheet, making it clear enough for the learner to be able to understand the purpose of the tasks they’ll complete.

2. Go through the process of learning yourself

One of the best things you can do to reflect on whether or not the material is actually teaching the learner anything is to go through the experience for yourself. Once you’ve planned out your worksheet, or have it ready in draft form, work through it stage by stage and actively explain to yourself what you are being required to do.  

As you proceed, write down what it is you are expected to do at each stage, what prior knowledge is necessary to complete each task and how one activity leads on to one another. Describe how and why each aspect is important to the overall explanation of the language point.

For example, when preparing a worksheet on the present perfect tense, you may find yourself asking questions such as these:

  • Do I need to have prior knowledge of the third form of the verb (eaten, gone, etc.) to do this?
  • Am I focusing on the form or a specific function of the verb tense here?
  • Do my learners have equivalents to ‘for’ and ‘since’ in their mother tongue?

It’s surprising how often we can make too many assumptions about prior knowledge, or make huge leaps between individual tasks in terms of cognitive demand. Again, reflection is key!

Remember: your aim is to produce a sequence of questions and experiences that will aid learners to incrementally approach the main objective using the same chain of reasoning that you went through when designing the material. Such issues can easily be avoided if you work through your material and question the learning processes of your worksheet.

Summing up

Creating your own worksheets can be hard work, yet also very rewarding both for you and your learners. While there are many issues to consider if you want to end up with truly high quality teaching materials, following this two-point plan of reflection will see you right in most situations.


Adam has been living and teaching in Turkey for more than fifteen years, all of that time spent in the tertiary education sector in universities in Istanbul. His interests include descriptive curriculum planning, developing flexibility in lesson design and the considered integration of technology in the language classroom. He is currently a member of the TDSIG committee. 

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‘IATEFL 2019: New horizons & new perspectives’ by Andreza Lago

After nine years since my last IATEFL conference in Harrogate, I was glad to see that many changes have happened in the Conference. New SIGS have been set up, new scholarships have been offered and even online streaming sessions for the ones who could not attend the Conference have been made available.
This year was even more special to me as I was the LT123 Brazil State Sector scholarship winner and was able to give a presentation about my teaching practice in rural areas in the Amazon and share a little bit of what it is like to teach English to minorities.
To me,my presentation was the main area of focus at the conference just because it is a great accomplishment in a teacher’s professional life as I had the opportunity to listen and talk to other teachers from around the globe.Being able to share experiences and learn from successful stories are the greatest souvenirs teachers can take home and pass on to their teaching communities of practice.
As to the presentations in general, I can say that a lot has been said about diversity and inclusion, teacher empowerment and the importance of soft skills. Below are some highlights about the topics:

Teacher Empowerment

Since the very first plenary with Paula Rebolledo, we had the opportunity to see what teacher empowerment really is and that we, teachers, are the real ELT experts because we are the ones who struggle daily to teach our classes, to help students with learning problems, to conduct teacher research – although what we do may not be considered to be research by some experts – etc.
Paula also mentions, according to her research, that teachers’ empowerment is most circumscribed to their classrooms. But it should not be like that because empowerment encompasses many other aspects and it should not only involve the classrooms. Teacher empowerment should start with democratic decision-making about what to teach and how to do it. As a consequence, taking the risks of making those democratic decisions. Fighting for better working conditions and joining a Union or even creating one are other ways of empowerment. Last but not least, finding alternatives for teacher development such as engaging in teacher research is a way to allow teachers to look at their own way of teaching, to understand it and theorize about it as well as to inform the field about what goes on in real classrooms.

Diversity and Inclusion

Another topic that was highly mentioned was diversity and inclusion. Not only about learners with special needs but also gender and sexuality identities, seniors and other minority groups.
I can also say that I somehow touched the subject during my talk when I mentioned the indigenous groups I teach and the approach I use in the classroom.
Katherine Bilborough in the closing plenary mentioned that learners in general, but children in special, should be able to see themselves and the way their families are formed in the coursebooks. She emphasized that a lot more has to be done and that it has to be done quickly.
Another informative plenary speech about inclusive education was made by John Gray who mentioned that although teachers have an important role in LGBT inclusion in the classroom, in most countries according to UNESCO they lack adequate training and resources to help them understand and address sexual orientation and gender identity and expression and more specifically homophobic and transphobic violence. He also pointed out that a curriculum that allows proliferation of identification and LGBT representation is necessary.
As a way to address the issue, John suggests three inclusive education approaches that can be used by the teachers to raise awareness about LGBT erasure in the classroom; they are the counseling approach (focus on equality discourse and positive LGBT representation) controversies approach (discrimination against LGBT people aiming at developing awareness of rights and social justice), and discourse inquiry approach (engage with discourses of heteronormativity – framing questions and problem posing on every day heteronormativity).

Soft Skills

In the pre-conference day, I participated in the Business English and Teacher Educational and Training SIGs event and the topics were all related to Soft Skills.
As we all know, the demand for skills has changed over the years. Nowadays, we do not teach only grammar and vocabulary to our learners. The need to prepare them for the workplace and for life has emerged and dealing with soft skills, 21 century skills, also known as life skills has been made essential.
The soft skills that should be integrated in our classroom and that were mentioned in the PCE sessions were creative and critical thinking, learning to learn, communication, collaboration and social responsibilities. Those are the skills that will be needed to help learners to communicate better and to be prepared for the different future careers.

After all, being able to participate in such important event and be part of IATEFL is a great opportunity for teachers to engage in teacher development, to get to know different teaching contexts and get inspired by learning with peers from all over the world.


Andreza Lago, This year’s LT123 Brazil State Sector Scholarship winner ,holds an MA in TEFL. She is a teacher, teacher trainer and materials writer. She has been in ELT for over 20 years. She is the author of “Tasks that work” and “Jogos Divertidos para a sua aula de inglês Vol 1 and Vol 2.